When did I become so content to be a loner? Did I consciously pass the gates of no return, flipping the bird to the doorman?
Just a girl in the world, making life up as I go. The more I learn, the less I know and I like it that way.
Sunday, 25 February 2018
Sunday, 7 January 2018
Sola
I am so greedy with my time, so selfish. I am languishing in a hammock enjoying a beer and a book, looking to the blue sky thinking that I have had a perfect day. To realise that I have spent it all on my own, my way. Yes, I have interacted with others but most of it impromptu and all of it on my terms. And I wonder if I have always been this insular and only now have the opportunity to truly enjoy it. I worry that I have been spoiled with too much time alone and that I may have difficulty should I have to share again. But I love it, I love it so much. And it takes me back to Argentina and the peculiar notion that I felt the urge to have a “me day” at the end of a three week solo holiday - could you be more self-indulgent? This is okay, right?
Monday, 1 January 2018
Lavar
When I need to reset, I take myself back to the moment I was getting absolutely drenched under IguazĂș Falls. Cataratas so furious and beautiful and humbling. The ultimate shower.
Tuesday, 7 March 2017
Shards
Maybe we take things personally because we wish we could assume responsibility, gain some control. As if then, perhaps we could fix everything.
Tuesday, 7 February 2017
Huxi
Always allow another's joy to overflow. Itch as it may, make no attempts to stem it, no matter how compelled you might be to shake free of its exuberance. Such fun and laughter are infectious for good reason, after all. Let's instead turn inward and ask: Why does this light shine too brightly for you?
Saturday, 24 December 2016
Cells
I am learning to fill the spaces with nothing at all. Words better left unsaid eventually lose their meaning; time is your friend.
Thursday, 15 December 2016
Science Fiction
This song turns my psyche inside out and leaves me so unsure but more certain all at once. I guess if (when) I ever finish Infinite Jest, my next read will be Frank Herbert's Dune.
I am such a shameless Grimes fangirl but whatever...
Journey
I am such a shameless Grimes fangirl but whatever...
Journey
Monday, 28 November 2016
Cribellate
A sharp glint of memory leaves a metallic taste of rot in my mouth. Too unsavoury to speak of in all but the most candid of confessionals. Every so often I remember that this happened, happened to me. I know it's not my fault and yet it's a shame that I will never shake. I can't. I am still a little girl inside, maybe I stopped growing the day my innocence was taken away.
Monday, 10 October 2016
Frames
The roof has been blown off and the blue sky is blinding. Freedom can be terrifying for those who have never been able to comprehend it, or contemplated it. I finally get my breath back and turn my face toward the sun. Was it actually just me holding myself prisoner all this time?
Thursday, 6 October 2016
Monday, 19 September 2016
Wednesday, 14 September 2016
Vapours
On forgiveness:
(Excerpt from an article by Tim Adams for theguardian.com)
The first piece of art that Karen Green made after her husband, David Foster Wallace, took his own life on 12 September 2008, was a forgiveness machine. She is standing in the neat, white studio at her house at Petaluma, north of San Francisco, explaining to me how the machine worked and how it didn't.
"Before David died," she says, "I had been working on some machines, with a five-year old – the son of a friend who had a gallery down the road from mine." There had been a recreating-a-pig-from-bacon machine, and a prototype for a machine that cleverly pitted dates. The day that her husband hanged himself she had been working on a political machine that involved a bright-coloured circus tent, elephants and donkeys. For a long while after that, she says, she couldn't make any art at all, wondered if she ever would again, but eventually, tentatively, she developed the idea for her conciliatory Heath-Robinson. "The forgiveness machine was seven-feet long," she says, "with lots of weird plastic bits and pieces. Heavy as hell." The idea was that you wrote down the thing that you wanted to forgive, or to be forgiven for, and a vacuum sucked your piece of paper in one end. At the other it was shredded, and hey presto.
Green put the machine on display at a gallery in Pasadena near the Los Angeles suburb, Claremont, where she and Wallace had lived in the four years they had been married. She was fascinated by the effect that it had on people who used it. "It was strange," she suggests, "it all looked like fun, but then when the moment came for people to put their message actually in it, they became anxious. It was like: what if it works and I really have to forgive my terrible parent or whoever."
(Excerpt from an article by Tim Adams for theguardian.com)
The first piece of art that Karen Green made after her husband, David Foster Wallace, took his own life on 12 September 2008, was a forgiveness machine. She is standing in the neat, white studio at her house at Petaluma, north of San Francisco, explaining to me how the machine worked and how it didn't.
"Before David died," she says, "I had been working on some machines, with a five-year old – the son of a friend who had a gallery down the road from mine." There had been a recreating-a-pig-from-bacon machine, and a prototype for a machine that cleverly pitted dates. The day that her husband hanged himself she had been working on a political machine that involved a bright-coloured circus tent, elephants and donkeys. For a long while after that, she says, she couldn't make any art at all, wondered if she ever would again, but eventually, tentatively, she developed the idea for her conciliatory Heath-Robinson. "The forgiveness machine was seven-feet long," she says, "with lots of weird plastic bits and pieces. Heavy as hell." The idea was that you wrote down the thing that you wanted to forgive, or to be forgiven for, and a vacuum sucked your piece of paper in one end. At the other it was shredded, and hey presto.
Green put the machine on display at a gallery in Pasadena near the Los Angeles suburb, Claremont, where she and Wallace had lived in the four years they had been married. She was fascinated by the effect that it had on people who used it. "It was strange," she suggests, "it all looked like fun, but then when the moment came for people to put their message actually in it, they became anxious. It was like: what if it works and I really have to forgive my terrible parent or whoever."
Tuesday, 13 September 2016
The visions I endure, are simply entertainment
Apocalyptic nightmares have me killing fathers in my sleep as I gouge rivulets across my palms. Did the fog of the dream chase the memory away, or were we ever unsure of exactly what we were running from? Vivid however, is the strength I found in separation as I led a brutal coup that bought a few more precious seconds of safety. Only to snap my eyes open and clean the flesh from under my fingernails.
Title lyrics taken from Tesseract - Dystopia
Title lyrics taken from Tesseract - Dystopia
Eschaton
On occasion she is reminded that she ought not to play with the big kids for she does not have a poker face to wear. And so decides anyway that she prefers herself hotheaded to calculating.
Saturday, 3 September 2016
Thursday, 1 September 2016
Foldaway
What other items can you dismantle for storage? Surely not just furniture and knick-knacks and other objects of similarly cold inconvenience. How about people, thoughts, and feelings? Ideas? Can we not also tuck them away for a season or two?
Saturday, 27 August 2016
Downcast
A spotlight borne of resentment tends to be less forgiving. Flaws now apparent can no longer be adjusted with a flattering filter. What is done, is done.
Sunday, 21 August 2016
Bustle
I love to be alone in a crowd while others curl and unfurl around me in what appears to be some kind of organised chaos. I bask in the interactions of others, the gentle hum of hearts connecting as I centre myself in my own company. Something about this simple symphony reminds me that we are all one and the same.
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